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Bass Pickups
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Seymour Duncan ASB-BO-5 5 String Active Soapbar Pickup
application
Active pickups and electronics voiced for the aggressive bass tones of metal, classic metal, punk and heavy rock.
description
Blackouts for Bass represents the active bass soapbar pickup specifically voiced for aggressive music. Instead of the radical EQ boosting and cutting required to make flat, sterile pickups come alive, Blackouts for Bass delivers the goods with less tweaking. Blackouts for Bass have more of what you want: cleaner highs, deeper lows, and greater dynamic range than traditional active bass pickups. This high energy, expansive sound is capable of covering all your other gigs with ease.
complete setup
The full-length dual blades accommodate maximum string spacings up to 2.70" (68.5mm) for the four-string model and up to 3.10" (78.5mm) for the five-string model.
basses
The full-length dual blades accommodate maximum string spacings up to 2.70" (68.5mm) for the four-string model and up to 3.10" (78.5mm) for the five-string model
available mods
Available for four- or five-string bass. Same size as our Phase II soapbars (direct replacement for EMG© 35 and 40). Also available is a Blackouts for bass Tone Circuit , which offers two focused bands of EQ dialed-in to the frequencies that metal players need most.
players
Monster/Jugulur
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Seymour Duncan ASB-BO-4 4 String Active Soapbar Pickup
application
Active pickups and electronics voiced for the aggressive bass tones of metal, classic metal, punk and heavy rock.
description
Blackouts for Bass represents the active bass soapbar pickup specifically voiced for aggressive music. Instead of the radical EQ boosting and cutting required to make flat, sterile pickups come alive, Blackouts for Bass delivers the goods with less tweaking. Blackouts for Bass have more of what you want: cleaner highs, deeper lows, and greater dynamic range than traditional active bass pickups. This high energy, expansive sound is capable of covering all your other gigs with ease.
complete setup
The full-length dual blades accommodate maximum string spacings up to 2.70" (68.5mm) for the four-string model and up to 3.10" (78.5mm) for the five-string model.
basses
The full-length dual blades accommodate maximum string spacings up to 2.70" (68.5mm) for the four-string model and up to 3.10" (78.5mm) for the five-string model
available mods
Available for four- or five-string bass. Same size as our Phase II soapbars (direct replacement for EMG© 35 and 40). Also available is a Blackouts for bass Tone Circuit , which offers two focused bands of EQ dialed-in to the frequencies that metal players need most.
players
Monster/Jugulur
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Seymour Duncan SMB-4A Replacement Pickup for Music Man Bass
Alnico Magnet - 1976-voiced humbucker. Great for blues, funk, classic rock, southern rock, jam, and hard rock. The Alnico magnets, together with unique coil windings, have the effect of extending both ends of the frequency spectrum beyond that of the ceramic magnet version. In other words, the Alnico version is both warmer on the bottom and more detailed on top. Comes with four-conductor hookup cable and logo cover. Generally used together with STC-3M3 and -3M4 Tone Circuits for optimal tonal control.
Replacement for 4-string Music Man® StingRay® basses from 1976 to present
players
Darrell Harris / Gary Puckett, Dan Lutz / Andy Summers, Roger Camero / No Motiv
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Seymour Duncan SMB-4D Replacement Pickup for Music Man Bass
Ceramic Magnet - Hotter pickup. Recommended for classic rock, heavy rock, funk, punk, R&B, and metal. This hum-canceling pickup offers a balanced, highly musical tone contour with a richly articulated bottom, lots of midrange, and biting treble. It's got a nice, mild "bark" without being overly brash, and it's not at all harsh in the mid-range. The low end is full and strong without being mushy or foggy. Generally used together with STC-3M3 and -3M4 Tone Circuits for optimal tonal control.
Replacement for 4-string Music Man® StingRay® basses from 1976 to present
players
Chopper Anderson / Reba McIntire, David Bronze / Eric Clapton, Marcelo Dias / Soulfly & ABLOOM, Pete Chilton / Bane, Markku Lappalainen / Hoobastank, Kelly Le Mieux / Goldfinger
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Seymour Duncan SMB-5A Replacement Pickup for Music Man Bass
Alnico Magnet - 1976-voiced humbucker. Great for blues, funk, classic rock, southern rock, jam, and hard rock. The Alnico magnets, together with unique coil windings, have the effect of extending both ends of the frequency spectrum beyond that of the ceramic magnet version. In other words, the Alnico version is both warmer on the bottom and more detailed on top. Comes with four-conductor hookup cable and logo cover. Generally used together with STC-3M3 and -3M4 Tone Circuits for optimal tonal control.
Replacement for 5-string Music Man StingRay basses up to 1992. For post-'92 5-string basses, see three-coil version.
players
Darrell Harris / Gary Puckett, Dan Lutz / Andy Summers, Roger Camero / No Motiv
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Seymour Duncan SMB-5D Replacement Pickup for Music Man Bass
Ceramic Magnet - Hotter pickup. Recommended for classic rock, heavy rock, funk, punk, R&B, and metal. This hum-canceling pickup offers a balanced, highly musical tone contour with a richly articulated bottom, lots of midrange, and biting treble. It's got a nice, mild "bark" without being overly brash, and it's not at all harsh in the mid-range. The low end is full and strong without being mushy or foggy. Generally used together with STC-3M3 and -3M4 Tone Circuits for optimal tonal control.
Replacement for 5-string Music Man StingRay basses up to 1992. For post-'92 5-string basses, see three-coil version.
players
Chopper Anderson / Reba McIntire, David Bronze / Eric Clapton, Marcelo Dias / Soulfly & ABLOOM, Pete Chilton / Bane, Markku Lappalainen / Hoobastank, Kelly Le Mieux / Goldfinger
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Seymour Duncan Phase II 4 String Passive Soapbar - SSB-4
Moderate output, passive "soapbar" pickup for four- or five-string bass. Passive alternative to battery-powered pickups for four and five-string bass players. The tone is simple and organic, with added warmth and punch.
Direct replacement for EMG® 35 or 40. Calibrated neck and bridge set. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control. The full-length dual blades accommodate maximum string spacings up to up to 2.70" (68.5mm) for the four-string model.
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Seymour Duncan Phase II 5 String Passive Soapbar - SSB-5
Moderate output, passive "soapbar" pickup for four- or five-string bass. Passive alternative to battery-powered pickups for four and five-string bass players. The tone is simple and organic, with added warmth and punch.
Direct replacement for EMG® 35 or 40. Calibrated neck and bridge set. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control.The full-length dual blades accommodate maximum string spacings up to 3.10" (78.5mm).
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Seymour Duncan SPB-3 Quarter Pounder for Precision Bass
Seymour Duncan's most popular Basslines pickup. High output, versatile, pickup. Recommended for blues, classic rock, punk, heavy rock, classic metal and nu-metal.
The quarter-inch diameter pole pieces expand the magnetic field and extend the frequency ranges for fat, full, punchy sound with tremendous mid-range presence and maximum output. Though often used for heavy rock tones, this pickup gives amazing tonal versatility to a single pickup instrument making this the most popular Basslines pickup. Includes logo covers. Often used together with STC-3M3 and -3M4 Tone Circuits for optimal tonal control.
For warmer toned ash, alder or basswood body instruments. Works especially well with rosewood fingerboards.
Players:
Mark Hoppus / Blink 182, Ian Grushka / New Found Glory, Anthony Celestino / Box Car Racer, Jay Bentley / Bad Religion, Melissa auf der Maur / Smashing Pumpkins & Hole, Steve Harris / Iron Maiden
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Seymour Duncan Humbucker for Rickenbacker® Bass -Bridge
SRB-1 -- This humbucking pickup improves tone and output over stock Rickenbacker® bass pickups, while also reducing noise and hum. A full frequency, full bodied response is provided from the dual ceramic magnets and special coil winding.
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Seymour Duncan Humbucker for Rickenbacker® Bass -Neck
SRB-1 -- This humbucking pickup improves tone and output over stock Rickenbacker® bass pickups, while also reducing noise and hum. A full frequency, full bodied response is provided from the dual ceramic magnets and special coil winding.
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Seymour Duncan Antiquity neck and bridge for jazz bass® (11044-01 & -02)
The neck position is wound "top going" and North polarity. The bridge position is wound "top coming" and South polarity. When used in combination with each other the pickups will be hum-canceling. Both pickups have the traditional pole spacing. The magnets are protruding from the top and bottom of the flatwork for a smooth even response. Each pickup is recreated to fit in your old classic and comes with black aged pickup cover, schematic, and mounting screws. Hookup wire is the classic "push back" c braid wire.
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Seymour Duncan Active EQ for Jazz and Precision bass®
Modern-voiced, active replacement pickup for Jazz Bass® and P-J™ configuration. Recommended for pop, blues, classic rock and heavy rock. Provides a modern, broad tonal response that's perfect for a Jazz Bass, but without the brittleness found in other active pickups. The design is based on the old Seymour Duncan Active EQ "Switch" pickups. We took the most popular switch setting and "hard wired" it for convenience. Includes logo covers.
Available as an individual Jazz Bass replacement bridge pickup, in a neck and bridge Jazz Bass set, and in a P-J configuration. Battery life is approximately 1,000 continuous hours per set. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control. Includes mounting and wiring hardware. Includes logo covers
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Seymour Duncan SJB-5 stack® for jazz bass®
Moderate output passive Stack is perfect for country, pop, blues, and classic rock. This blade-type pickup offers reduced output and a flat response. The bridge pickup has a defined, percussive character. The neck pickup has a warm tone. Used together, you get a solid tone with a slight dip in the mid-range; perfect for slap-style playing. The Stack design eliminates annoying hum. Comes with four-conductor hookup cable and logo cover.
Calibrated neck and bridge set. Best when used together with STC-2 or -3 Tone Circuits for optimal tonal control. Can be used with either 4- or 5-string basses. Note that this pickup is not a direct retrofit for Fender Jazz V, but fits many popular 5-string basses. Will accommodate string spacings up to 2.9" (73.6mm) for either pickup.
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Seymour Duncan AJB-5 active for jazz bass®
Increased output active pickup for blues, classic rock, heavy rock and metal. The neck pickup is fat and present with enough punch and snap to bring definition and brilliance to the low-B. The bridge pickup has a solid bottom with a dip in the mids for warmth and clarity. A fully discrete, ultra quiet, 9-volt preamp delivers low impedance output with excellent dynamic range. Includes logo cover.
Calibrated neck and bridge set. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control.
Can be used with either 4- or 5-string basses. Note that this pickup is not a direct retrofit for Fender Jazz V, but fits many popular 5-string basses. Will accommodate string spacings up to 3.10" (78.7mm) for bridge pickup and 3.00" (76.2mm) for neck pickup.
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Seymour Duncan STK-J1 classic for jazz bass®
Vintage-voiced Stack®. Perfect for country, pop, blues, and classic rock. This is one of our most popular Basslines pickups. It captures the same great tone, presence and response of the SJB-1 Vintage single coil, but without the annoying hum. Comes with four-conductor hookup cable and logo cover.
Calibrated neck and bridge set. Neck pickup is slightly narrower. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control.
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Seymour Duncan STK-J2 hot for jazz bass®
Higher output single-coil-sized Stack®. Recommended for blues, classic rock, heavy rock and metal.
Similar to the Classic Stack, but with increased output and a thicker-sounding mid-range response making it better suited for rock tones. Comes with four-conductor hookup cable and logo cover.
Calibrated neck and bridge set. Neck pickup is slightly narrower. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control
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Seymour Duncan Vintage for Jazz-Bass® : SJB-1
This pickup gives you the traditional sound of a vintage pickup for Jazz Bass®. The single coil construction brings out the warmth and fullness of the instrument while maintaining clarity and definition. The neck version is reverse wound/reverse polarity (RW/RP) to create a humbucking effect when used together with the bridge model. The bridge model is specially calibrated for the bridge position where there is less string excursion. Pickup cover included
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Seymour Duncan Hot for Jazz Bass® : SJB-2
SJB-2 -- This pickup delivers more output and punch than the SJB-1. You get a deeper low-end response than stock pickups. Like all Basslines™ pickups, the SJB-2b is wax potted to reduce microphonics and feedback. Pickup cover included.
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Seymour Duncan SJB-3 quarter-pound for jazz bass®
High output true single-coil. Recommended for blues, classic rock, garage, heavy rock, classic metal and nu-metal. Developed for the bassist who needs the slammin' output of the Hot but with even stronger attack. The quarter-inch pole pieces and intense windings deliver a full response with great sustain. Includes logo cover.
Neck and bridge are calibrated. Neck pickup is slightly narrower and is RW/RP for hum cancelling when both pickups are used together. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control.
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Seymour Duncan Antiquity pickup for precision bass® (twin coil) -11044-11-12-13
11044-13 pickup for single coil precision bass®
This single coil pickup is a replica of the ones found in the early "Telecaster®" single coil P-Bass®. It has four alnico magnets for the traditional sound. Each coil is wound with plain enamel magnet wire and protected with wax coated string. Hookup wire is the classic "push back" cloth braid wire.
11044-11 pickup for precision bass® (twin coil)
The two bobbins are reverse wound and reverse polarity to make the pickup humbucking. The pickups are hand fabricated and wound using traditional techniques and use classic "push back" cloth braid hookup wire. Each pickup comes with aged black covers, schematics and mounting screws.
11044-12 pickup for precision bass®, raised "A" (twin coil)
Like the originals, Seymour uses .625" magnets on the "A" string for better string balance. The two bobbins are reverse wound, reverse polarity to make the pickup humbucking. The pickups are hand fabricated and wound using traditional techniques and use classic "push back" cloth braid hookup wire. Each pickup comes with black aged covers, schematics and mounting screws.
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Seymour Duncan Active EQ for Jazz and Precision bass® (223)
Modern-voiced, active replacement pickup for Jazz Bass® and P-J™ configuration. Recommended for pop, blues, classic rock and heavy rock. Provides a modern, broad tonal response that's perfect for a Jazz Bass, but without the brittleness found in other active pickups. The design is based on the old Seymour Duncan Active EQ "Switch" pickups. We took the most popular switch setting and "hard wired" it for convenience. Includes logo covers.
Available as an individual Jazz Bass replacement bridge pickup, in a neck and bridge Jazz Bass set, and in a P-J configuration. Battery life is approximately 1,000 continuous hours per set. Often used together with STC-2 or -3 Tone Circuits for optimal tonal control. Includes mounting and wiring hardware. Includes logo covers
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Seymour Duncan SCPB-1 Vintage for Single Coil P-Bass®
SCPB-1 -- When Leo Fender brought out the Precision Bass® in the early '50s, the pickup looked much like the Telecaster® guitar pickup, with black fiberboard flatwork and black string wrapped around the coil. The
SCPB-1 looks just like the original vintage pickup, down to the smallest detail and gives you the same bright sound. Pickup cover included
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Seymour Duncan Precision Bass Pickup:SPB-1
SPB-1 -- In 1957, Leo Fender changed the Precision Bass® guitar pickup to a two coil system wired together to eliminate interference hum. He also used two pole pieces for each string to capture the greater string excursion of the bass guitar. This pickup delivers the distinctive smooth output, increased treble and full midrange of the original.
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Seymour Duncan Hot for Precision Bass Pickup:SPB-2
SPB-2 -- Just like the SPB-1, but with extra windings on the coils for musicians who want more output and greater low end response for a fuller sound. The two coils are wired in a humbucking mode to eliminate interference hum. Pickup cover included
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